coco kate
coco kate
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harinef:

when i see a camera go off at a party
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9th:

[HUSSEIN CHALAYAN A/W 1998]
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ABEL VAN OEVEREN 
BY LEA COLOMBO
 
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Les Félins  (1964)
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hiwitch:

Oskar taken by me - part of my diploma  
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vlada-sasha-natasha:

Snejana / roberto Cavalli spring 2008
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Cutting edge of Belgium: Olivier Theyskens, Photographs by Ronald Stoops for High Fashion Magazine 10 October 1998
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ISSEY MIYAKE x IRVIN PENN

ISSEY MIYAKE x IRVIN PENN

ISSEY MIYAKE x IRVIN PENN

ISSEY MIYAKE x IRVIN PENN

ISSEY MIYAKE x IRVIN PENN

ISSEY MIYAKE x IRVIN PENN

ISSEY MIYAKE x IRVIN PENN

ISSEY MIYAKE x IRVIN PENN
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sirilaf:

I try to perform the “blank spaces” that are formed when everything is taken away from people. How do we come face to face with “nothing’”, with “emptiness’”, where there was something earlier?I was a refugee myself for a few years, moving from one country to another, knowing full well that at every juncture I was a guest who at any moment might be asked to leave. The refugee’s world is a portable one, allowing for easy movement between borders. It is one that can be taken away as easily as it was given: provisionally and with a little anxiety on the part of the host.
Lida Abdul - White House (2005)
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bogworm:

i-d mag, aug 1989
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lifornia:

"cyber boy" xy magazine february 1999 Ph. steven underhill
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digital-future:

by Shahan Assadourian
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Der Kuss, Egon Schiele